Mozart! is an Austrian musical, originally written in German. The original book and lyrics were written by Michael Kunze and the music and arrangements were composed by Sylvester Levay. The show is a new imagining of the struggles of the famous composer.
The original production was directed by the opera director Harry Kupfer. It premiered on October 2, 1999, in the Theater an der Wien, and the final performance was on 7 May 2001. It ran for 419 performances, showing to approximately 420,000 patrons.
The production appealed especially to younger Viennese audiences. Subsequent productions have been mounted in:
Wolfgang Amadeus Mozart (German:[ˈvɔlfɡaŋ amaˈdeːʊs ˈmoːtsaʁt], English see fn.; 27 January 1756– 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty.
At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Between the ages of 13 and 17, Mozart made three trips to Italy, spending some two-and- a-half years in ‘the country at the heart of the opera world’ ... So argues Jane Glover in Mozart in Italy. A follow-up to 2005’s Mozart’s Women, the book is a lively account of journeys which the composer shared (mostly) with his father Leopold.
Formed in 1995, the , under the directorship of John Butt, has a reputation as Scotland’s leading baroque ensemble and choir, though the group’s artistry stretches far beyond, right up to music of the present ...Mozart’s unfinished work, associated with his marriage to Constanze and here in a new edition by Clemens Kemme, is in the grand style ... .
Yet nothing about Mozart’s character as portrayed in Amadeus should really scandalize contemporary audiences. The myths and misconceptions around the life and work of Wolfgang Amadé Mozart — he preferred Amadé over Amadeus — would sooner upset a historian than outrage the average 21st-century concertgoer.